Tuesday, December 28, 2010
Thursday, December 23, 2010
Thinktank's Review of the Year
Friday, December 17, 2010
German Markets
In Hamburg this week, where among other things we’ve been enjoying the Christmas Markets. As we stood enjoying a Glühwein it struck us again how even the most seemingly traditional of events can capture a great balance with modern relevance.
At first glance the markets could seem simply to offer a picture postcard view of Germany aimed at the tourists
However, don’t be mistaken into thinking the young of Hamburg don’t enjoy them too. On a cold and wintery Tuesday evening, they were full of 20somehings and teenagers hanging out at the end of a long cold day. In Hamburg they're sponsored by the local NDR radio station. Such local engagement gives the markets a much greater sense of belonging; it attaches them to the city and the people in it.
All rather lovely really, and quite clever.
Monday, December 13, 2010
Word on the Street
It would be easy to believe that a new anti-brand sentiment is on the rise, but after going out onto the streets to talk to student protesters during last Thursday’s demo, it’s clear the story is more nuanced.
Let me set the scene…
It was simple to find the action – I just followed the sounds of the helicopters. The atmosphere was electric. Thousands of students were waving ‘Coalition Resistance’ banners. Children Of The Revolution was blaring from a huge sound blaster as students bopped, cheered and shouted their way to Westminster.
I started talking to the students…
Some sixth formers quickly raised the topic of corporate tax avoidance. “It makes me so angry, they owe billions of pounds,” one said.
However, it became clear that student anger was directed far more at the government than at corporates – and uncertain whether that anger would affect brand perceptions.
“The government basically just gives money back to these companies and now they’re like ‘we can’t pay for your education’.”
“They spent £18 million on the World Cup bid and now they can’t pay for our education.”
There was implicit disagreement with ‘Big Society’ thinking
“It shouldn’t be their [the brand’s] responsibility in the first place, it should be the government’s.”
One student was concerned about suggestions of involving corporations in educational funding and feared business might start to hold too much influence over young impressionable people, discouraging critical thought and leading to a bias in favour of commercialization.
So, is there a rising movement against brands?
It seems students are more likely to see failings in politicians appearing to rely too much on business rather than scapegoating commerce per se.
This may change – an anti-commercial movement may rise – or pragmatism and apathy may take over. It’s worth saying though that right now, when so many organisations are looking to get involved in the arts and in good causes, and government is inviting commercial participation in society, education is very sensitive ground for brands to tread.
*Samantha Shellie is a researcher at Thinktank International Research
Thursday, December 09, 2010
Uniqlo X Monster Hunter Portable 3rd
Friday, December 03, 2010
Merry Christmas
The Goose is getting fat....
It's that time of the year again when all the ads start to look remarkably similar.
The Christmas ads are here.
At first glance it doesn't feel as if there's actually that much to say about the Christmas ads. This isn't really the season for game changing work. It seems the creative brief for most Christmas ads is 'Make people feel warm, loved and slightly whimsical' (exactly what I imagine Richard Curtis has written as a reminder on a post it above his computer whenever writing a screenplay)
Of course the model Christmas ad, and the one which comes up time and time again in groups at this time of year, is the Coke ad. Repeated and still much loved, it' so syrupy you can put it on your pancakes.
So, if this isn't the time to do anything revolutionary, how can brands stand out at Christmas? After all this is a vital time for the High Street
Christmas work seems to walk a tightrope between trying to stand out and not breaking the cosiness of the season. It seems there are a couple of ways 2010's Christmas offering have tried to do this;
1. Celebrity in a slightly unusual context
While M&S' efforts with Peter Kay are perhaps more instantly recognizable it is not alone in seeing the potential for sparking interest with a well known face in a slightly surprising context, Derek Jacobi's in Sony's Christmas campaign is no less arresting. In many ways Sony's use of Jacobi is more interesting. It's not immediately apparent that it is Jacobi and when it becomes so he brings a gravitas and sophistication that is at odds with most of the fluffy Christmas fun.
2. Music
While the overall tone of Christmas ads seems to be sacrosanct the music used to create it is certainly not. There is a pleasing lack of Slade or Wizard in the Christmas ads this year. Brands seem to be being a bit cleverer when choosing music. Looking beyond the obvious and the trite. Last year John Lewis really set the bar when they created a wonderfully gooey Christmas mood that could make any parents heart ache with a Guns 'n' Roses song. This idea then carried on with 'Always a Woman' (which I was a bit nervous about watching the office as I feared I might reveal just what a soppy tart I am). And then, this Christmas they've used a cover of 'Your Song' to create another offering as rich, glossy and comforting as a Chocolate cake
3.Very Gentle Humour
There is space to have a bit of fun with a Christmas ad within the aforementioned confines. The important thing is that the humour should all be safely contained and playful rather than challenging. It should almost be laughing at itself. As already mentioned M&S have Peter Kay bringing a smile in what would otherwise be a fairly standard (though impressive) M&S effort. There is no real biting satire here though, there's a fat bloke from Bolton pretending to be a camp dance teacher. Argos' humour comes from twisting a familiar Christmas image. Bing Crosby as a ghetto star is not earth shattering satire and the technology used is to create the image hardly cutting edge but it is silly. Finally, Tesco do have a discernible victim in the absurd Amanda Holden but it's harmless Keeping Up Appearance style stuff. Holden's snobbish sister is as awful but slightly endearing as Hyacinth Bucket in a campaign which confirms my suspicion that Mark 'I was that close to making it in Hollywood' Addy is becoming a poor man's Geoffrey (Onslow) Hughes
Again, none of these are game changing but they do create an added level of interest and help these ads to stand out just a little bit in a sea of safe toasty warmth.
Merry Christmas